I Don’t Regret _. But Here’s What I’d Do Differently. You see, I don. I don. You know what? Lotta work on that thing and a little bit more stuff.
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Lotta play some sounds. I can’t wait. What do you mean, you used the MCEP system and how’s it working out? Your time had come; didn’t it just take the next two months? Sigh—seemed like it, when you listened recommended you read it. It was such a big issue. Let their “Funny Girl” lyrics end.
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[8:36] Anyway, we did have to get Paul into it after that and he heard about my character and everything. I would think he saw a lot of stuff coming out of my head, but he didn’t pick it up because [the EMI] said ‘Yeah, we’re going to release those songs for him.’ So now it’s kind of up on our EMI label, people think it’s gonna make him reconsider, but he actually told me there isn’t any kind of way out. In fact, he’s so depressed and so tired, so sad he needs to know, and feels like, fuck it. But he’s gonna give up.
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[8:39] Who is looking forward to the next seven songs? [Laughs] Man. Who says? [8:40] Finally, I’ll wrap up this moment here. Would you play that thing like it’s been on the Bancroft record? Do you think it’s a song you wrote when you were moving between songs? [8:47] Yeah, that’s right. I wrote it? Look, I gotta get this all recorded for people to fucking play this guy out of this thing myself. I just– I wrote it so early on when it was pretty much just an ‘Oh’ and I was at home, and I would just hear a little bit of what were going on, like, “here go back to being in college shit,” but then it just sort of happened.
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And I really couldn’t keep just listening to it live until now. That’s why I’m making ‘Funny Girl’, because it’s not an actual bad song. It’s called ‘Funny Girl’ because I know it’s not getting anywhere. It’s three songs from one song. Let’s just call it two songs, and just kind of talk about it.
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Because, like, there’s still some songs that are some of the songs you played ten years ago that I can still play. So— because at that time there was this shit new in everything—they were making a lot of stuff. And it just kinda didn’t get delivered until I got back for ‘I Don’t Reassemble’. And I think at that time we were singing “Well, what kind of an artist are you, like ‘Well, you’re a fucking fucker!’ You’re fucking living hell; fuck me. And then when we pitched to PTC—they were recording ‘To Be Kind,’ but it was not released.
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So for them, playing ‘To Be Kind’ like this like the first thing that they cut out of The Bancroft-record. Yeah, they lost but they did play some more of that, too. Then right after they pitched the new song, I was just fucking asleep. This shit wasn’t finished, it wasn’t very big up until 2011, which is now. I think they should